Blogs

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Report : Kim Hoerbe on Pauline Oliveros and the Archive

Kim Hoerbe’s talk on “Pauline Oliveros and the Archive” was the occasion for an excellent Nonsite event that took place on Sunday afternoon, 2/21/10, at the collective’s provisional South of Market digs, Nicole Hollis’s design studio.

Hoerbe is visiting from Berlin, and his research is located at the intersection of music and philosophy. He’s currently writing about Oliveros’s work with experimental electronic music in the 1960s, and his research has brought him to Mills College, which is the location of the Center for Contemporary Music (CCM). (Oliveros was the first director of the Mills Tape Music Center after the San Francisco Tape Music Center migrated to Mills with a Rockefeller Grant in the Summer of 1966, only to become the CCM several years later under the direction of Robert Ashley.)

Hoerbe had barely introduced his talk when the group began voicing a range of questions, all of which seemed to dovetail beautifully with Hoerbe’s own intentions, concerns, and ideas.

New look

Welcome to the new look and feel of the Nonsite Collective homepage. I've incorporated suggestions from a number of users on making the site easier to navigate from the front page, and I think you'll find an overview of just about everything you'd want to access on the site right here on a single page.

If the feedback continues to be generally positive, I think I'll begin migrating all of the site's content over to something like this panel-style layout and away from the multi-region layout we have now, with its array of menu bars, sidebar boxes, etc. Users have consistently found that setup confusing, so I'm inclined to go with something more like this (although stripped down a bit on the individual content pages).

Those changes will probably take a few weeks, so in the meantime we'll have a new and improved front page sitting on top of the old layout. It's a bit inconsistent, but I hope users will bear with me as I try to squeeze the additional changes in around my work schedule.

Some Bay Area events of note this week

Wed 1/27: Trisha Brown exhibit opening/talk/performance at Mills

Thur 1/28: Recipes for Encounters at SoEx

Fri 1/29: Anne McGuire & WetGate at BAM

Sat 1/30 afternoon: Yvonne Rainer workshop & talk at Mills

Sat 1/30 eve: Cedar Sigo & Brenda Coultas at SPT

An Architektur Berlin at PERFORMA09 (NYC)





AN ARCHITEKTUR BERLIN

TEN DAYS FOR OPPOSITIONAL ARCHITECTURE
November 12-21
Gair Building No 6, 81 Front Street, Brooklyn, NY 11201 (York Stop on the F Train) Map



The transformation of the urban landscape within the last decades has increasingly been dominated by the demands of capitalist utilization. Due to the current crisis, however, which goes far beyond a mere crisis of the real estate and financial market, these neoliberal politics and attendant forms of production of space have been subject to a loss of legitimation. For this reason, not only do the dominance and promises of the privatization model, the free market and private property have to be questioned, but also the conventions of the space-producing professions that follow and materialize these policies.

In this context the event "Ten Days for Oppositional Architecture" takes up the task of exploring possibilities and conditions of a socially committed architectural practice. Therefore the narrow boundaries of the profession have to be left behind. We hence invite activists, geographers, architects, planners, and economists representing different critical approaches to discuss and develop concepts and practices that not only try to oppose and challenge the capitalist mode of production of space, but also try to go beyond it strategies of de-commodification, re-appropriation and alternative production of space. We will look at already existing spatial actions of resistance as well as search for possibilities to further theorize them: How can these strategies and alternative practices be turned into social and political forces towards post-capitalist spaces?

All events are public. All those interested are welcome.
Free dinner will be served during discussion evenings.
An exhibition and a reading corner will support and document the discussions.


Program

Wednesday, November 11, 6 pm
Opening Reception

Thursday, November 12, 7 pm
The Decommodification of Housing
Discussion with James deFilippis, geographer, Rutgers University, New Brunswick · Esther Wang and Helena Wong of CAAAV, Organizing Asian Communities, New York

Friday, November 13, 7 pm
Bar + programming by Lize Mogel and Alexis Baghat, An Atlas of Radical Cartography*

Saturday, November 14, 7 pm
The Real Estate Crisis, Private Property and the Prospects of Planning
Discussion with David Kotz, economist, University of Massachusetts Amherst · Teddy Cruz, architect, San Diego

Sunday, November 15, 7 pm
Bar + programming by tba*

Monday, November 16, 7 pm
On the Commons: Taking versus Granting Rights
Discussion with Peter Linebaugh, historian, University of Toledo · Brett Bloom of Midwest Radical Culture Corridor, Urbana · Rob Robinson of Picture the Homeless, New York

Tuesday, November 17, 7 pm
Bar + programming by common room*

Wednesday, November 18, 7 pm
Territory as a Means of Struggle
Discussion with United Workers, Baltimore · Neil Smith, geographer, City University New York

Thursday, November 19, 7 pm
Bar + programming by Amanda Schachter and Alexander Levi of SLO architecture*

Friday, November 20, 7 pm
Reclaiming Capitalist Spaces
Discussion with Janelle Cornwell and Julie Graham, geographers, University of Massachusetts Amherst · Max Rameau of Take Back the Land, Miami

Saturday, November 21, 12 pm
Towards Post-Capitalist Spaces
Lecture by David Harvey, geographer, City University New York, 12 pm
Workshops with special guests*, 2 -- 6 pm
Final presentation and discussion, 7 pm
Party, 10 pm

* For more details and updates please visit:
www.oppositionalarchitecture.com


A project by:
An Architektur
Produktion und Gebrauch gebauter Umwelt
Alexanderstrasse 7, D-10178 Berlin

organized by Oliver Clemens, Sabine Horlitz, Anita Kaspar, Kim Förster
www.anarchitektur.com / contact: redaktion@anarchitektur.com


On occasion of:
Commissioned by Performa. Presented by Performa and Storefront for Art and Architecture. Supported by the Graham Foundation, IFA (Institut für Auslandsbeziehungen) and Two Trees Management, Inc.

Read more...





THIS SATURDAY
CITY OF TOMORROWS WORKSHOP
November 7, 1pm to 4pm
Free, pre-registration required



What would happen if an intergalactic consortium of investors bought up all of New York City's affordable housing? If automated labor and robot workers took over Manhattan ? If an evil super villain released a mutant nano-virus into the urban water supply?

City of Tomorrows is a workshop about the New York City of the future that merges urban geography, science fiction and guerrilla theater. In the space of 2 hours, participants will develop, script and rehearse short sci-fi scenes about New York City's political, spatial and social futures. We will then perform the scenes in public space for both a Performa audience and passersby. They will follow along and even participate as these utopian and dystopian tomorrows are played out on the streets of Lower Manhattan.

Who we're looking for: Science fiction writers, visionaries, astronauts, astral psychics, sci-fi geeks, drama queens, class clowns, urbanists, protesters, agent provocateurs, brainstormers.

You will be given reading and viewing material prior to the workshop as well as background info on the issues to be explored. You will be asked to contribute to a collaborative mini-drama as well as perform in public space.

Please email cityoftomorrows@performa-arts.org to reserve a space. Please include a brief description of yourself and your interests, your current email address; and phone number. We will inform you within a few days if space is available. bit.ly/fgAOb for more information.

Workshop limited to 20 people.

Created by Lize Mogel, Stephanie Rothenberg, and Jenifer Kaminsky.
Curated by Defne Ayas. Presented by Performa and Storefront for Art and Architecture.

Read more...




About PERFORMA 09
Performa 09, the third edition of the internationally acclaimed biennial of new visual art performance, will be held in New York City from November 1-22, 2009, showcasing new work by more than 150 of the world's most exciting contemporary artists. Over its three week-run, Performa 09's innovative program will break down the boundaries between visual art, music, dance, poetry, fashion, architecture, film, television, radio, graphic design, and the culinary arts, presenting over 110 events in collaboration with a consortium of more than 80 of the city's leading arts institutions, 40 curators from around the world, and a network of public and private venues throughout the city.


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Storefront for Art and Architecture

97 Kenmare Street
10012 New York, NY
Tel. 212.431.5795
Fax 212.431.5755

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URBAN CRUDE: The Oil Fields of the Los Angeles Basin (CLUI, LA)

 

New exhibit open at the Center for Land Use Interpretation's Los Angeles location:

URBAN CRUDE: 
The Oil Fields of the Los Angeles Basin

Open to the public starting October 30th, 2009

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Read more

The CLUI Los Angeles Exhibit Hall is open noon to five PM, 
Fridays, Saturdays, and Sundays, or by appointment. 
Admission is free. 

Directions 

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The Center for Land Use Interpretation
9331 Venice Blvd. 
Culver City, CA 90232 
310.839.5722 office
310.839.6678 fax 
support (at) clui (dot) org 
www.clui.org 

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Also on view in Los Angeles:

Two CLUI landscans on view at Los Angeles County Museum of Art, 
as part of the exhibit New Topographics: Photographs of a Man-Altered Landscape

UPSTREAM AND DOWNSTREAM:
South Belridge Oil Field, Kern County, California
and Houston Petrochemical Corridor

October 25, 2009–January 3, 2010

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Exhibition Symposium: 
"What's at Stake?" 
New Topographics: Photography and the Man-Altered Landscape 
Saturday, November 7
 

at LACMA: Los Angeles County Museum of Art
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The Center for Land Use Interpretation 
is a non-profit organization dedicated to the increase and diffusion of knowledge 

 

about how the nation's lands are apportioned, utilized, and perceived. 

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